Lost Horizon Night Market: the Mission Impossible Truck
Filed Under Art, Events, Pranks, SF Bay Area | 2011-05-03, 10:58
This past weekend the Lost Horizon Night Market came to West Oakland. Tucked away in an alleyway next to a concrete mill, trucks opened up to the in-the-know public and created new and different experiences for everyone that attended. For those that aren’t familiar, the idea of the Lost Horizon Night Market originated in New York, but a San Francisco version has since been opened. In short, a number of customized box trucks (usually around 20) all gather in a predetermined location on a chosen evening. Some trucks serve food, others put on a show, but they all provide experiences of some sort to the patrons of the night. For both of the San Francisco Lost Horizon Night Markets I have been a proprietor rather than a participant, teaming up with Nelz, Matt, and others to run the Mission Impossible truck.
When we first started throwing around ideas for a truck for the Market, it was agreed that we wanted something low-effort but high-impact: something that wouldn’t take us hours and hours of work, but would still provide for a unique and fun experience for people. Inspired by the spy caper movies, we decided we would create a “laser field” that would protect “confectionery devices”, aka cupcakes. People would have to manuever their way through the lasers in order to rescue a cupcake. If they tripped a laser, they would be eliminated by the robot sentries. The lasers were actually orange strings with bells on them and the robot sentries were people hidden in the darkness with fully automatic Nerf rifles. Throw in a smoke machine and a black light to make the “lasers” glow and we were basically done.
The first time we ran the truck we quickly gained a line and spent most of the night trying to get people through the line and the experience. Additionally we didn’t really perfect our “pitch” since we had spent most of the time putting the truck together: painting wood, building guard booths, stringing bells, etc.
We decided that our goal this time was to not have a line. How to accomplish this? We would provide people with a task, some sort of small hurdle that they would have to complete before they even got a chance to get in the truck. Several ideas were tossed around about what sort of tasks we could ask people to do. I was very interested in making people interact with other people at the Market. I’m not sure who came up with the idea, but somehow a friend who was helping with another truck became our point person for these tasks. Since we had experience with Santa’s Little Secret Service, we were easily able to get into Secret Service mode, donning suits, earpieces, dark sunglasses, and a serious attitude. When people asked what our truck was about, my pitch went something like this (with a serious and straight face mind you):
“We’re guarding some highly unstable confectionery devices and we’re looking for people with the experience and dedication to help defuse these devices. However due to the inherent danger in this mission we need to make sure you’re up to the task. You will need to seek out the Man in the Mask. He will provide you with additional information.”
Most people would instantly understand and go off hunting for the Man in the Mask, who we had given a handful of silver marbles and carte blanche to give people whatever missions he wanted. To be honest, I don’t even know half of the stories Evan, our man in the mask, told people. All I know is that if someone showed up with a “high density spherical memory storage device” (aka a silver marble) and a good story about what they had to do to get here, we’d let them into the truck to try to get their cupcake.
Over the course of the night things got more and more complex as more people got pulled into the shadowy ruse. Evan would tell people to go find another person and ask them for a task. At first these other people didn’t even realize they were part of the Mission Impossible truck, but were quick to send the person on some sort of mission. People would return to our truck anywhere from a few minutes to an hour or two later after running around the Night Market, following detours left and right.
One group of 6 people returned with a dream stolen from the Dream Library truck. I quickly called all the other agents for our truck and escorted the group to the semi next to us, which just happened to be “The Jail”. We announced to the warden that they were charged with stealing dreams and needed to be locked up for their crimes. The group was put behind bars, and I ran off to the Dream Library to return the stolen dream. Upon my return to our truck I discovered that the group had broken out of jail and rushed our truck all at once! So many rules, shattered.
Another group, actually friends of a friend, were told at the very beginning of the night that they would want to experience our truck and they should get started on the mission early. At the end of the night they finally returned, with stories of being sent around to a number of different people, continuously wondering when it would all end and they would get into this mystery truck. I fessed up to them and told them that in all honesty none of the people involved with the Mission Impossible truck had a full picture of what was going on. In turn they told me stories of people stealing their marble, sending them to other truck to steal other objects, and getting pointed to one person after another for their next mission, and just a general state of confusion over the course of the night. As the market was coming to a close, we finally let them into the truck to run the laser course and get their cupcakes as they had surely earned them even if they had lost their marble.
Despite our efforts, at one point in the night we ended up with a line of about 4 groups deep. I had to make up something quick to stall. I explained to one group that there had been a serious laser malfunction and that they would need to find a red lighter, as red is the only wavelength of color that could successfully be used to repair the lasers. They rushed off into the darkness on the hunt. I turned to another couple, also ready to get in the truck. I told them that we needed a clean handkerchief. I don’t remember the reasoning behind the need for this object, but after a bit of arguing they too ran off into the night in pursuit. They returned with one of them wearing the bandana over her face. She told me that on their way back, she had started giving people tasks to do in order to get into the truck too! So much chaos, so much confusion, so much fun.
For the next Night Market, we won’t be doing the Mission Impossible truck again. It’s been done, perfected, and it’s time to move onto something new. However it was a great experience in just how much fun it can be to spark people’s excitement and provide a sense of adventure. A huge thanks to Nelz, Matt, Rochelle, Evan, and everyone else that helped make things interesting.
Help Save Defenestration, A Piece of San Francisco
Filed Under Art, SF Bay Area | 2010-02-22, 17:29
When I first moved to San Francisco, it wasn’t long before I found myself in front of Defenestration, admiring the flying furniture. It was one of those things that made me go “wow, there’s some really cool stuff in San Francisco, this city is great!” It wasn’t until recently that I truly realized the size of the impact this piece had on the community of San Francisco when it was built 13 years ago. Simone Davalos has a great write up on Laughing Squid about the piece and many of the people involved. I highly recommend a read.
That said, Defenestration is in danger. Many of the pieces had to be removed due to safety issues and repairing and replacing these pieces to restore the awesomeness of Defenestration is going to cost money. There’s a drive right now to raise the necessary $75,000 in order to save the piece. Donations are tax-deductible as they are sponsored by the Black Rock Arts Foundation. I urge you to donate whatever you can to help save this piece.
There is also going to be a fundraising/exhibit opening on Friday, March 5th from 6-10pm at the 1:AM Gallery. If you miss the party, you can still catch the exhibit on Defenestration through April 2nd, 2010. Please donate to help preserve some of the art that makes San Francisco what it is.
Check out Zivity – 30 days for free
Filed Under Art, Photography, Websites | 2010-02-22, 15:56

The internet is awash in adult content, we all know that. And there’s a lot of just plain crap out there that was made to make a buck. But occasionally the adult content mixes with art and something great comes out of it. Zivity is one of those examples.
For those not familiar, Zivity is a site where photographers and models get together and shoot some amazing photos. The site is decidedly Not Safe For Work (NSFW), so go check it out when you’re at home. Just to be clear, you’re not going to find your run of the mill porn there. Zivity encourages “photographs of women that promote their beuaty, show them respect, and meet [their] standards of tastefulness”. One of my favorite things about Zivity is the way their revenue is handled. Rather than paying a flat fee to photographers and models and then making bank off of their shoots indefinitely, they pay the photographers and models based on votes. As a user of the site, you buy votes for $1 a piece and you can then vote on your favorite models and photographers. For me personally, it’s a small way that I can help friends make a little bit of money making the art that they enjoy. The pretty pictures are an added bonus!
So enough of the sales pitch type talk. For the record I don’t currently receive any commission on anything from Zivity (other than an account on the site), but I recommend it to people who are into this sort of thing. Cyan, the founder of Zivity, was kind enough to offer free 30 day trial accounts to readers. All you have to do is email geeked@zivity.com and ask nicely for an invite.
A Brief History of Pretty Much Everything (in Stop Motion)
Filed Under Art, Video | 2010-02-11, 14:13
For his final piece in an art course, Jamie Bell (an art student from the UK) made a flipbook video titled “A Brief History of Pretty Much Everything”. It’s comprised of 2100 pages of pen doodles and took roughly 3 weeks to complete. It chronicles several key moments in the history of the universe, including an important one at 1:35.
via Giannii
Call the Mayor Day – Feb 9th, 2010
Filed Under Art, Events, SF Bay Area | 2010-02-09, 14:41
I moved to San Francisco because of the art scene and the amount of all around fun you can have in this city. I now call SF my home for both me and my business. Unfortunately there is currently a “War on Fun” that is attacking the venues and events in our city. It is slowly chipping away at what makes San Francisco unique.
On Tuesday, February 8th you are invited to make your voice heard and help stop the tearing apart of the essence of San Francisco. From the Facebook event:
Before you say no, read this article.
http://sfappeal.com/culture/2010/01/whats-shaking-down-sf-venues-call-the-mayor-day-thats-what.phpCall Gavin Newsom and tell him we do not want our clubs and venues raided by the police department, and we seek better solutions to preserve SF Venues, Arts & Culture. Be sure to remind him you are a registered voter in the city of San Francisco.
Telephone: (415) 554-6141
Fax: (415) 554-6160
Email: gavin.newsom@sfgov.orgMany thanks to Debra Walker, candidate for dist 6 Supervisor for this idea, presented at Flux Summit on Jan 21, 2010 at the “What’s Shaking Down SF Venues” panel.
In addition to encouraging people to call from home, my friend Ani Niow is also a temporary phone booth being setup in front of City Hall that you can use to call Gavin from his doorstep.
If you’re not sure what to say, metaphorge has a good list of talking points.
image via SFAppeal
The Matrix Bullet Scene In Lego Stop Motion
Filed Under Art, Movies and Music, Video | 2009-11-25, 13:46
I love stop motion and I love Legos. LegoMatrix put them together to recreate the classic roof-top bullet-time scene from The Matrix. The accuracy with which they’ve recreated this defining scene is amazing. They took each frame of the 44 seconds of this scene and recreated it with as much accuracy as Legos would allow, and then some. While the video itself is amazing, even more impressive is the “behind the scenes” of how they actually put it all together. Building camera rigs, figuring out all the tricks they’d have to do to make it accurate, let alone what Lego pieces to choose!
By the way, you can check their accuracy below:
Well done guys!!
via Great White Snark via Geekologie
In Bb 2.0: A YouTube Collaboration
Filed Under Art, Websites | 2009-05-14, 11:43
Want to make your own ambient Kutiman mixes? Thanks to the work of Darren Solomon of Science For Girls and several YouTube contributors you can (as long as you like Bb). The project is called “In Bb 2.0″ and can be found at www.inbflat.net.
Darren put out a call for people to post YouTube videos of them playing instruments (or singing) in Bb major. He gave some guidelines on what works best, but left it open for people to be creative. The result is incredibly fun. You can play all of the videos at once, or just a few. Try playing a couple, and then bring in a few more, adjust the volume, start/stop, etc. The resulting sound has an incredibly pleasant ambient quality. Rather than a mash up where things were forced together, it flows incredibly well regardless of which video you play and when you start playing it. I’m also very fond of the spoken word video.
If you want to contribute to the video, Darren outlines the guidelines on the site. He’s not putting every video up because he wants to maintain the feel of the project. I agree with his choice as I’m not sure Rap Chop would really work.
via Jaku
Zenta’s A-Pod Hexapod Robot
Filed Under Art, Geek, Video | 2009-04-08, 12:35
After seeing the video of Zenta’s hexapod in action I just had to share it. It’s design, fluid movement, and lifelike qualities make it absolutely beautiful. The video just had me saying “wow” every few seconds whether it was picking up a can of soda and not getting thrown off balance, or being dexterous enough to pour a glass of water. As my friend Neil put it, “This robot is so lifelike, it will either have you cooing with delight or running away screaming.”
The creator, Zenta, is no stranger to hexapods or robots, having quite the robot family. If you’re more interested in the construction and parts of the A-Pod, check out his post which is chock full of great photos and how-to info.
YouTube Remixed Into Awesome by Kutiman
Filed Under Art, Movies and Music, Video | 2009-03-04, 13:27
Sorry for the reblog, but I had to share this. DocPop guest posted this over on Laughing Squid:
Thru-You is the new album by Israeli funk musician Kutiman. All of the album’s sounds were painstakingly culled from YouTube videos and masterfully mixed into 7 fantastic tracks. It’s like the “Entroducing…” of the internet! Hurry over to Thru-You.com to watch these amazing videos where you can also find the original links to all the sampled tracks by clicking the “credits” button.
Excuse me while I pick up my jaw from the floor. Absolutely amazing stuff! Go check it out
Timescale: A Call For Artists
Filed Under Art, Burning Man | 2009-02-28, 14:06

Timescale is an art project of great magnitude. A mile long, with 27 concrete columns over 6′ high, and a variety of artwork, this piece will be a scaled representation of the history of the Earth. It’s being created by Ardent Heavy Industries, the not-fire-art parent group to Interpretive Arson, which means the people that brought you Dance Dance Immolation and 2pir are working on it. I’m very much involved with this project (guess who did the website?) and highly recommend anyone that wants their art to be on display at Burning Man (and who knows where else) to submit a proposal. You only have until March 18th to get your proposal submitted, so don’t wait! Here’s the official “Call for Artists”:
We are now accepting proposals for all 27 Timescale chapter columns!
Timescale is a journey through 4.57 billion years of planet Earth’s geological and biological evolution, extended across one mile (5280 feet) of open playa. Beginning with the formation of the Earth from a cloud of gas and dust, participants will traverse through time — advancing two million years with each footstep, culminating at the present day.
Twenty-seven chapters in Earth’s growth are highlighted along the way, allowing participants to appreciate the transformation of our planet and the exponential complexity of living things. Each chapter will be marked by an 8-inch square column rising from the playa surface. The 6.5-foot tall column holds a clear box that contains a sculptural representation pertaining to that period of time.
We are actively looking for artists to create column sculptures. Pieces should evoke an event, creature or other aspect of the chosen chapter’s unique story. We will provide a well-lit clear display box eight inches wide and deep, and twelve inches tall. Electricity will be available for your installation if coordinated in advance.
For more information about this Burning Man art project, including display details, a list of chapters, and an artist proposal submission form, please visit the Timescale web site at: http://www.timescaleproject.com






